The Bombay Times Fashion Week 2025 kicked off in spectacular style with a glamorous curtain raiser followed by an exhilarating Day 1 at the prestigious Fairmont Hotel, Mumbai. The much-anticipated four-day fashion extravaganza opened its doors to a celebration of couture, creativity, and cutting-edge design, bringing together fashion stalwarts, emerging talent, and glittering showstoppers.
A Dazzling Curtain Raiser by Neeta Lulla
The opening night was headlined by the iconic Designer Neeta Lulla, whose timeless aesthetic and masterful craftsmanship set a majestic tone for the weekend. Her exclusive presentation was a visual ode to opulence, featuring intricate detailing, luxurious textiles, and majestic silhouettes that honored traditional Indian heritage while embracing contemporary sensibilities.
The star-studded runway lit up with the presence of Taha Shah Badussha, Nitanshi Goel, Choreographer Sandeep Soparkar, and Actor Shanthi Priya as showstoppers. Each brought their unique flair to the stage, blending elegance, drama, and youthful energy into a spectacular prologue that perfectly encapsulated the grandeur of Bombay Times Fashion Week.
Day 1: A Celebration of Diversity, Design, and Drama
The excitement continued into Day 1 on April 11, with an eclectic lineup of designers showcasing the richness of Indian fashion through innovative interpretations and striking presentations.
Designer Swatti Kapoor opened the day with a graceful collection that fused rich Indian textiles with modern finesse. Actress Kritika Kamra, the showstopper, exuded elegance as she brought the collection to a refined close.
Panache Institute of Fashion Technology infused the runway with youthful vigor through a student-led showcase. The show featured Digvijay Rathee as opener and Shefali Jariwala as the showstopper, adding charm and freshness to the experimental presentation.
Designer Pink Porcupine by Ankit Satam delighted audiences with a vibrant, playful collection full of color and whimsy. Actress Aaditi Pohankar, as the showstopper, embodied the label’s spirited essence with her radiant walk.
Elegance took center stage as Sayali Rajadhyaksha unveiled an exquisite saree collection that celebrated India’s handwoven traditions. Actress Manara Chopra opened the show with grace, while the evergreen Sonali Kulkarni closed it with an aura of timeless sophistication, earning a standing ovation.
Heer Boutique by Hiral Sheth followed with a culturally rooted yet contemporary showcase. The stunning Adah Sharma stole the spotlight as showstopper with her bold presence.
As the evening unfolded, Designer Kshitij Chaoudhary brought drama and flair to the ramp, with the UMB Winner as the showstopper, highlighting fresh fashion talent and bold vision.
Niyara India mesmerized the audience with structured silhouettes and rich fabrics. The show featured Donal Bisht as the opener and concluded with the striking Priyanka Chahar Choudhary as the showstopper, leaving a lasting impression.
Sustainability met luxury as Navyaasa by Liva showcased eco-conscious designs, brought to life by showstopper Anupriya Goenka, whose soft glamour and presence elevated the collection’s ethos.
The night concluded with a bold and conceptual finale by Cherie D, pushing creative boundaries with a mystical and daring presentation. Palak Tiwari, as the showstopper, brought a fierce energy to the close of an unforgettable first day.
From heritage-inspired sarees to avant-garde silhouettes, the opening day of Bombay Times Fashion Week 2025 painted a vivid portrait of India’s fashion evolution. With a seamless blend of creativity, tradition, innovation, and star-studded glamour, the event delivered an unforgettable start to the four-day celebration. Behind the scenes, Bubble Communication is orchestrating the media and influencer engagement, ensuring each designer’s vision reaches its audience with clarity and impact. As the curtains closed on the first day, the energy and elegance that filled the Fairmont Hotel left attendees eagerly looking forward to the fashion stories yet to unfold.
