
There are some names in cinema that don’t merely reside in memory — they linger like poetry, etched into frames of black-and-white brilliance. One such name is Guru Dutt.
As the nation marks 100 years of Guru Dutt, a maestro of minimalist grandeur and soul-stirring storytelling, Ultra Media & Entertainment hosted a landmark premiere of his timeless classic, Pyaasa, now meticulously restored in 4K by NFDC-NFAI under the National Film Heritage Mission.
Held in Mumbai, the evening wasn’t just a screening — it was a cinematic pilgrimage. Before the curtains rose, a fireside panel of reverence unfolded with lyricist Javed Akhtar, filmmakers Hansal Mehta, R Balki, Sudhir Mishra, and veteran critic Bhawana Somaaya, who unpacked Dutt’s masterful impact. From his poetic compositions and complex characters to his socially conscious narratives, the discussion captured why Dutt’s legacy continues to stir filmmakers and cinephiles alike.

As I sat there amidst fellow admirers, I could feel the weight of his legacy — not in grandeur, but in simplicity. Guru Dutt’s genius wasn’t loud; it was lyrical. His camera lingered like a sigh, his songs floated like longing. He dared to be melancholic in an industry enamored with perfection, and it is that very daring that makes his films immortal.
The restored Pyaasa played to a house full of nostalgia, wonder, and shared emotion. The audience gasped at the visual elegance, sighed at the silences, and hummed in unison to its mellifluous melodies — every note a whisper from the past, every verse a timeless echo. It was as if the theatre itself became one soul — swaying, watching, remembering.
The screening was part of a grander retrospective tribute, with restored versions of Kaagaz Ke Phool, Sahib Bibi Aur Ghulam, Aar Paar, Chaudhvin Ka Chand, Mr. & Mrs. 55, and Baaz scheduled across PVR INOX and Cinepolis screens this weekend — giving newer generations the rare chance to experience Dutt’s masterpieces on the big screen.
The premiere drew stalwarts from the film fraternity — Anubhav Sinha, Vikramaditya Motwane, Rituparna Sengupta, Divya Dutta, Akshaye Oberoi, Anoop Soni, Juhi Babbar, and Siddharth Roy Kapur, alongside NFDC MD Shri Prakash Magdum and Ultra Media’s Sushil and Rajat Agrawal.
100 years of Guru Dutt Film Festival will be showcased at PVR INOX where you can relive the timeless magic of a visionary who redefined Indian cinema from 8-10 August.
As the curtain fell, it wasn’t the end. It felt like a new beginning — of rediscovery, reverence, and reliving a golden era. Guru Dutt’s cinema is not bound by time; it is timeless poetry in motion.

And on that nostalgic note, as “Yeh Duniya Agar Mil Bhi Jaaye Toh Kya Hai” echoed in the darkness, one thing was certain — Guru Dutt lives on, not in reels, but in hearts.